Echoes of Resilience: Israel's Eurovision Journey Through Antisemitism and Adversity
Flowers, a symbol for Israeli soldiers lost at war.
What happens in Eurovision doesn’t stay at Eurovision. Watched by between 160 and 190 million people globally, the Eurovision Song Contest is the world’s largest live broadcast event, surpassing even the Super Bowl. The contest's immense reach and impact extend far beyond entertainment, influencing each participating country and broader European culture alike. For Israel, participating since the '70s has provided an invaluable opportunity to assert its identity on the world stage.
A Platform of Profound Significance
Only three decades after six million Jews were annihilated on European soil, Israel's participation in Eurovision carried unique and profound significance. Unlike other countries where Eurovision is primarily a cultural pastime with subtler political undertones, for Israelis, it tapped into a national post-traumatic need to assert themselves as underdogs overcoming adversity. Each entry became an expression of resilience and strength, reflecting the very essence and semiotics of Israel's participation in Eurovision to this day.
Eurovision has always been a vital platform for Israel to negotiate its identity on the world stage, express its national aspirations during tumultuous times, and convey its experiences through melody, lyrics, and dance. Israel's entries often coincided with periods of war and relative peace with Palestinians and neighboring countries, reflecting the nation's fluctuating global perception. Artistic cultural production through Eurovision became an empowering tool for ordinary Israelis, ensuring their voices were heard by a global community often biased or indifferent. Each year presented an opportunity for political resistance, empowerment, and message-sending through cultural production and representation, fostering a sense of self-worth, national pride, and agency.
A National Triumph Over Adversity
Suddenly, previously disenfranchised survivors in Israel, emerging from the shadows of the Holocaust and the expulsion from Middle Eastern and North African countries, had an opportunity to showcase the powerful narrative of resilience and renewal that is Zionism. Each ‘douze points’ was another ‘Am Israel Chai’ in the faces of those who had once sought to erase Jewish culture. Every victory brought elation and catharsis to a people who had faced unimaginable adversity.
The therapeutic aspect of Eurovision for Israel is underscored by ongoing conflicts with neighboring Arabs. It is not merely that Israelis survived the Nazis; they have faced continual threats and needed something to sustain their spirit—an ongoing cultural healing. Eurovision became a tool for the Israeli spirit to cry out, heal, communicate, and reshape itself amidst the precarious reality of living in a consistently war-torn country.
Eurovision as a Political Tool
Many cultural critics agree that Eurovision’s role as a political tool is why the contest became a launching pad for timeless Israeli hits ingrained in Jewish memory. Songs like "Hallelujah" by Milk and Honey, which won in 1979, and Ofra Haza’s "Hi" (Alive), which came second in 1983, are cultural milestones. Songs like "Diva" by Dana International (winner, 1998) and Netta’s "Toy" (winner, 2018) addressed identity politics and social issues, further demonstrating Eurovision's impact on Israeli culture and international perception.
Impact of Eden Golan’s “Hurricane”
Eden Golan’s “Hurricane” (originally “October Rain”), Israel's Eurovision entry for 2024, is a potent cultural artifact demanding analysis to understand antisemitism, the state of Israel, and our future. The EBU's rejection of the entry for its “political nature” sparked outrage, revealing a double standard. Historical precedents, such as Ukraine’s "Stefania" and Jamala’s "1944," highlight the hypocrisy in the EBU's decision.
The original lyrics of "October Rain" carried profound emotional weight, reflecting current Jewish struggles and past traumas. Rejections and alterations of poignant lines transformed specific historical references into abstract struggles, diluting the song's powerful message. This rejection underscored the ongoing covert antisemitism within the contest.
Antisemitism at Play
Both manifest and latent antisemitism were present in this year’s Eurovision. Covert discrimination was evident in the relentless demands for changes to Israel's entry and passive-aggressive behaviors from some delegations. Overt antisemitism was glaringly evident in biased jury votes and public jeering. This year’s contest, with its unprecedented viewership, underscored the need for continued vigilance and critical analysis to address deep-seated biases and ensure cultural arenas like Eurovision uphold fairness and inclusivity.
The Power of Jewish Resilience and Ingenuity
Despite institutional bias and pervasive antisemitism, Israel garnered significant support from televotes, demonstrating global resonance with Israel's message and performance. The televotes pushed Israel to fifth place, showcasing the strength and determination of the Jewish people. The closing lyrics of "Hurricane" in Hebrew, eliciting the most jeering, ironically became the biggest act of resistance and the most satisfying statement.
Am Israel Chai (The People of Israel Live)
Our resilience and ability to thrive in the face of hardship are what make us strong and unique. Despite adversity, we continue to create, inspire, and communicate our story to the world. Am Israel Chai (The People of Israel Live).